《孤城》讲述甘肃玉门油田荒废后，大批油田职工撤出，只留下老弱病残和一座孤城。《孤城》也许不像是在讲述一个故事，更像是我在这样一个空间里游走，再把导演的所见所闻以这样一种方式呈现给观众。虽然是一个环境问题的背景，但是它会牵扯出更多的社会问题。 　　第14届巴西FICA国际电影节最佳短片奖、第6届伊朗国际纪录片电影节评审团特别奖，第3届西安国际民间影像节最佳纪录片奖，入围第8届台湾国际纪录片双年展。

《孤城》讲述甘肃玉门油田荒废后，大批油田职工撤出，只留下老弱病残和一座孤城。《孤城》也许不像是在讲述一个故事，更像是我在这样一个空间里游走，再把导演的所见所闻以这样一种方式呈现给观众。虽然是一个环境问题的背景，但是它会牵扯出更多的社会问题。 　　第14届巴西FICA国际电影节最佳短片奖、第6届伊朗国际纪录片电影节评审团特别奖，第3届西安国际民间影像节最佳纪录片奖，入围第8届台湾国际纪录片双年展。

一场罕见极寒席卷城市，气温跌破零下60度，供暖停电、物资匮乏，昔日繁华沦为冰封绝境。前极地科考教授苏弈，与急诊科护士叶晴、户外爱好者陆哲意外结伴，在绝境中坚守、互助，抵御严寒与人心考验，历经欺骗与救援，最终携手走出冰封，见证城市复苏与人性微光，诠释了团结与韧性的力量。

中央电影摄影场 黑白 有声 　　描写抗战英雄营长姚子清死保宝山城的悲壮故事

恒业影业2018-2020年片单

1937年7月7日，卢沟桥事变掀开了日军全面侵华战争的序幕。同年12月，韩复渠不战而逃，白胜白天兄弟的胶东民团武装占据了金城招远。中共胶东特委成立黄金…

恒业影业2018-2020年片单

Set against the backdrop of an imperial victory in the civil war leading up to the Meiji Restoration, Fallen Blossoms tells the story of the sorrows of women in a geisha house in Kyoto by recounting the relationships of its inhabitants. 　　Alexander Jacoby & Johan Nordström wrote: 　　Ishida’s original and brilliant film tells history as ‘her story’. Against the backdrop of a victory for the imperial forces in the civil war leading up to the Meiji Restoration, Ishida recounts the relationships among the inhabitants of a Kyoto geisha house, producing what has been described by Noël Burch as “one of the most remarkable community portraits ever filmed”. The film is set completely inside the house, with only female characters ever seen on screen. 　　For Burch, “the exclusion from the scene of men, patrons or soldiers, is a meaningful corollary of the exclusion of Japanese women from the history of the country”. Ishida narrates his story using an imaginative cinematic style in which shots are almost never repeated. The narrative, Burch notes, evokes Chekhov, but he judges its “combination of a restricted, unified setting and continual renewal of the imagery” to be unparalleled in conventional narrative cinema.